Kamis, 31 Maret 2016

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American Indian Sovereignty and the U.S. Supreme Court: The Masking of Justice, by David E. Wilkins

"Like the miner's canary, the Indian marks the shift from fresh air to poison gas in our political atmosphere; and our treatment of Indians, even more than our treatment of other minorities, reflects the rise and fall in our democratic faith," wrote Felix S. Cohen, an early expert in Indian legal affairs.

In this book, David Wilkins charts the "fall in our democratic faith" through fifteen landmark cases in which the Supreme Court significantly curtailed Indian rights. He offers compelling evidence that Supreme Court justices selectively used precedents and facts, both historical and contemporary, to arrive at decisions that have undermined tribal sovereignty, legitimated massive tribal land losses, sanctioned the diminishment of Indian religious rights, and curtailed other rights as well.

These case studies—and their implications for all minority groups—make important and troubling reading at a time when the Supreme Court is at the vortex of political and moral developments that are redefining the nature of American government, transforming the relationship between the legal and political branches, and altering the very meaning of federalism.

  • Sales Rank: #1624673 in eBooks
  • Published on: 2010-01-01
  • Released on: 2010-01-01
  • Format: Kindle eBook

Review
"A detailed, thorough analysis of 15 US Supreme Court cases involving Native Americans. . . . The cases range from the well-known Johnson v. M’Intosh to the little-known Ward v. Racehorse, but all are instance in which the Court has mistakenly ‘limited or terminated the rights of indigenous peoples.’ In each case the author notes the errors the justices made and the ‘judicial masks’ that have often enabled them to ignore reality and morality. . . . Judicious and persuasive, he provides new information and insights in this important field. A must read for tribal officials, attorneys, judges, public officials, and others concerned with Native American affairs." (Choice 1998-04-01)

"This book offers a framework in which Supreme Court decisions can be analyzed and criticized. It is, on account of this framework, a wholly new kind of writing and one that is badly needed." (Vine Deloria Jr., author of American Indians, American Justice)

Review
"This book offers a framework in which Supreme Court decisions can be analyzed and criticized. It is, on account of this framework, a wholly new kind of writing and one that is badly needed." (Vine Deloria Jr., author of American Indians, American Justice)

About the Author
A Lumbee Indian, David E. Wilkins is Associate Professor of Political Science and American Indian Studies at the University of Arizona.

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6 of 6 people found the following review helpful.
The facts themselves are a profound indictment of "law"
By Arthur Digbee
American Indian law represents an extraordinarily incoherent set of decisions and principles, with results that are not only bad public policy but indefensible in any terms that I know. To take only one example, the jurisdiction of a police force depends not only on whether a crime occurred on white-owned or tribally-owned land inside a reservation but on whether the criminal and the victim are Indians or not. All of this also varies by the nature of the crime. When you consider that some criminals, such as poachers, move from land parcel to land parcel without it being obvious where the actual crime occurs, and that the identity of the criminal is generally unknown at the start of an investigation, you have a recipe for non-Indians to get away with many crimes against Indians through legal maneuvering. The "sovereignty" of each Nation is similarly confused, especially with respect to the state in which each reservation finds itself.

Why is Indian law so confused? In this book, David Wilkins attributes it to a "legal consciousness" held by jurists and others. He divides this into three themes: constitution/treaty, civilizing/paternalistic, and nationalism/federalism.

To read these cases is to shake one's head and wonder, "What on earth were they thinking?" Much of Indian law rests on claims that have no foundation in law, starting with the notion that the tribes are "domestic-dependent nations." Racism, paternalism, ignorance, and a mind-boggling belief that Congress reigns supreme over people who have never acknowledged its supremacy run through these pages. Thus, we have treaties with tribes that take legal effect even if Congress doesn't ratify them, and that Congress can violate, reinterpret, or denounce but the tribes cannot. Native Alaskans were even subject to US law without treaties at all.

Though eventually incorporated into the political system, Indians were not given the same legal rights as others. They do not have redress against their governments. The Supreme Court refuses to protect their rights against the federal government. If you're not an Indian, this matters to you - - if the Court will not uphold the constitution or the law to protect Indians, why do you think it will protect you either?

Indian law is incoherent. It's indefensible. We need to start over. Read this book and learn why.

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  • Sales Rank: #5394044 in Books
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Buddhism and Postmodernity is a response to some of the questions that have emerged in the process of Buddhism's encounters with modernity and the West. Jin Y. Park broadly outlines these questions as follows: first, why are the interpretations and evaluations of Buddhism so different in Europe (in the nineteenth century), in the United States (in the twentieth century), and in traditional Asia; second, why does Zen Buddhism, which offers a radically egalitarian vision, maintain a strongly authoritarian leadership; and third, what ethical paradigm can be drawn from the Buddhist-postmodern form of philosophy? Park argues that, as unrelated as these questions may seem, the issues that have generated them are related to perennial philosophical themes of identity, institutional power, and ethics, respectively. Each of these themes constitutes one section of Buddhism and Postmodernity. Park discusses the three issues in the book through the exploration of the Buddhist concepts of self and others, language and thinking, and universality and particularities. Most of this discussion is drawn from the East Asian Buddhist traditions of Zen and Huayan Buddhism in connection with the Continental philosophies of postmodernism, hermeneutics, and deconstruction. Self-critical from both the Buddhist and Western philosophical perspectives, Buddhism and Postmodernity points the reader toward a new understanding of Buddhist philosophy and offers a Buddhist-postmodern ethical paradigm that challenges normative ethics of metaphysical traditions.

  • Sales Rank: #2170805 in eBooks
  • Published on: 2010-10-28
  • Released on: 2012-08-15
  • Format: Kindle eBook

Review
Jin Y. Park's work is a major achievement of phenomenological hermeneutics. It is indeed of exceptional quality which is capacious and deep in scope, lucid and erudite in style, and poignant and engaging in argumentation. Park is at ease with surfing the ineffable and seemingly contradictory expressions of Zen Buddhism and with scaling the rugged terrains of postmodern thought. Park's most creative, incisive, and discerning moments are found in her very attempt to transversalize the borders of Eastern Buddhism and Western philosophy both modern and postmodern. To put it simply, it is intercultural and interdisciplinary. I find that her appropriation of postmodern philosophy in Merleau-Ponty, Heidegger, Derrida, and Lyotard is judicious and discriminating. Among the notable features of Park's work is a singularly prominent place of Korean Buddhism, the 'Zen hermeneutics' of language, silence and violence, and most importantly her ambitious and promising vision of creating a new paradigm of ethics at the crossroads of Buddhism and postmodern philosophy. (Hwa Yol Jung, Moravian College)

Buddhism and Postmodernity is a fascinating journey into the field of Buddhist philosophy. Jin Park skillfully negotiates a variety of discourses including Buddhist studies, feminism, and postmodernism. She masterfully unmasks prejudices about Buddhist traditions and their alleged lack of propensity for systematic thought, and presents a convincing case for a Zen ethics by demonstrating affinities between Zen and deconstruction. Her mastery of the material is impressive, her sketch of Zen philosophy visionary. For everyone with interest in Buddhism and/or postmodernism, Buddhism and Postmodernity is a must-read. (Gereon Kopf, Luther College)

...Admirably concise and yet complex... Professor Park carefully exemplifies her own conclusions regarding the centrifugal potentials of Buddhist thought and practice by offering us clearly presented prospects on a yet-to-come ethics of non-dual interdependence. The wide ambitions of Buddhism and Postmodernity are skillfully threaded together through recurring contrasts of centripetal/centrifugal and hermeneutical/existential dynamics at play both historically and philosophically, in the West and its encounters with Buddhism, and in the global transit from modernity to postmodernity . . . Buddhism and Postmodernity raises important questions, opening promising avenues for further conversation. (Sophia, November 2009)

The dialogue between Buddhism and postmodernity is one of the most exciting developments in contemporary philosophy, with important implications for ethics. Jin Y. Park's insightful study of their relationship is grounded in a deep understanding and appreciation of both traditions. Her book is a welcome addition to the growing literature. (David R. Loy, Xavier University)

Review
"Jin Y. Park's work is a major achievement of phenomenological hermeneutics. It is indeed of exceptional quality which is capacious and deep in scope, lucid and erudite in style, and poignant and engaging in argumentation. Park is at ease with surfing the ineffable and seemingly contradictory expressions of Zen Buddhism and with scaling the rugged terrains of postmodern thought. Park's most creative, incisive, and discerning moments are found in her very attempt to transversalize the borders of Eastern Buddhism and Western philosophy both modern and postmodern. To put it simply, it is intercultural and interdisciplinary. I find that her appropriation of postmodern philosophy in Merleau-Ponty, Heidegger, Derrida, and Lyotard is judicious and discriminating. Among the notable features of Park's work is a singularly prominent place of Korean Buddhism, the 'Zen hermeneutics' of language, silence and violence, and most importantly her ambitious and promising vision of creating a new paradigm of ethics at the crossroads of Buddhism and postmodern philosophy."

Review
"The dialogue between Buddhism and postmodernity is one of the most exciting developments in contemporary philosophy, with important implications for ethics. Jin Y. Park's insightful study of their relationship is grounded in a deep understanding and appreciation of both traditions. Her book is a welcome addition to the growing literature."

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In this classic country noir, featuring a new introduction by Daniel Woodrell, a small town farmer takes a job at a roadhouse, where unbridled greed leads to a brutal murder
Jack McDonald is barely a farmer. Boll weevils have devoured his cotton crop, his chickens have stopped laying eggs, and everything he owns is mortgaged—even his cow. He has no money, no prospects, and nothing to do but hang around filling stations, wondering where his next drink will come from. As far as hooch goes, there’s no place like Smut Milligan’s, where Breath of Spring moonshine sells for a dollar a pint. A bootlegger with an entrepreneurial spirit, Milligan has plans to open a roadhouse, and he asks Jack to run the till. The music will be hot, the liquor cheap, and the clientele rough. But the only thing stronger than Milligan’s hooch is his greed, and Jack is slowly drawn into the middle of Smut’s dalliances with a married woman, the machinations of corrupt town officials—and a savage act of murder.

  • Sales Rank: #605270 in eBooks
  • Published on: 2013-04-16
  • Released on: 2013-04-16
  • Format: Kindle eBook

From Publishers Weekly
Starred Review. This newly reissued 1940 crime novel inevitably evokes James M. Cain's The Postman Always Rings Twice with its story of murder and adultery against the backdrop of a country roadhouse, but Ross's writing has an affectless, hard-boiled poetry all its own. In rural Corinth, N.C., farmer Jack McDonald has just had his land seized for back taxes when filling station owner Richard "Smut" Milligan offers him work in the soon-to-open River Bend Roadhouse. It will "take on all comers," from hardworking mill hands to corrupt politicos, and from his job's vantage point, Jack sees all of Corinth society coming to enjoy the dance floor, slot machines, and bootleg liquor. He also witnesses the slow-motion tragedy of Smut's increasing entanglement with the seductive Lola Fisher, wife of the richest man in town, and is himself drawn into the bloody results of his boss's greed. That Ross never published another novel may seem like a tragedy itself to any noir fan who reads this book, which emphasizes less the mechanics of plotting than the rich, profane flavor of its characters' voices. Daniel Woodrell provides an introduction. (Apr.)

Review
“A sleazy, corrupt but completely believable story of a North Carolina town.” —Raymond Chandler “A very fine book.” —Flannery O’Connor “[Ross] showed us that a writer can come out of the red-clay gulches of rural North Carolina during the Depression—that is, a writer can come out of absolutely anywhere at any time—and make high art without resorting to tricks, stylish ennui or pointless savagery.” —The Millions “Ross writes in classically laconic, wised-up American prose. His voice suits then and now and will still carry well tomorrow.” —Daniel Woodrell “As far as I’m concerned, this book is where dark Southern fiction began, and any writer who works in the field owes Ross a debt of gratitude, whether he or she has read They Don’t Dance Much or not.” —William Gay “In and out of print since it was first published in 1940, this blistering novel about a rural Carolina roadhouse with a dance floor is packed with enough desperate characters to make murder merely inevitable, but no less horrifying.” —Newsweek

About the Author
James Ross (1911–1990) was an author of noir fiction. Born in North Carolina, he worked as a reporter for the Daily News (Greensboro) for many years. He wrote his first and only novel, They Don’t Dance Much, in 1940. The book, considered “country noir,” was praised by the likes of Raymond Chandler and Flannery O’Connor. During the decade that followed, Ross published several short stories in literary journals such as Partisan Review, the Sewanee Review, Collier’s, and Argosy while he worked on another novel, In The Red, which was never published. 

Most helpful customer reviews

19 of 19 people found the following review helpful.
Excellent writing and superb atmosphere
By A Customer
"They Don't Dance Much" was rescued from obscurity by Southern Illinois University's Lost Fiction Series. Author James Ross' style is similar to James M. Cain; this book resonates like a film noir screenplay. Judging from the popularity of the recent film "L.A. Confidential" someone in Hollywood should take notice. But "They Don't Dance Much" is more than a cheap thrill. It's true literature. Those fans of excellent writing out there need to take a look at this book. They won't be disappointed.

16 of 16 people found the following review helpful.
A great and obscure piece of pulp fiction.
By A Customer
Raymond Chandler mentioned this novel (along with THIEVES LIKE US) in a letter in his collected letters, so I grabbed a copy, and I can only say that Chandler knew one when he saw one. This completely amoral tale of roadhouse denizens in the depression era South is wonderfully atmospheric and gets under your skin in an unforgettalbe way. Deadpan violence, stark atmoshpere, and characters worthy of a pulp Faulkner. Don't miss it if rural American noir is your genre.

13 of 13 people found the following review helpful.
A superb novel, sadly forgotten
By Daniel Gunter
I first read this book almost 20 years ago and recently purchased a second copy of it. It is superb. The language is pitch-perfect throughout, and the story coils itself inexorably around the reader. For years I had told people that, if they really wanted to read a hard-as-nails novel, they should find "They Don't Dance Much." My rereading confirms my earlier opinion. The novel has scenes of extraordinary violence told in a spare, unadorned prose that makes the action all the more graphic.

The comparison to James M. Cain is probably fair enough--but I think that Ross is even better than Cain. Ross makes his characters' slide into night seem more gradual and more shocking for its gradualness. And Ross's universe is less moralistic than Cain's: in Ross's novels, evildoers are not necessarily punished.

Really, this novel should be republished by Penguin Classics or the New York Review of Books. It deserves recognition as one of the best novels of twentieth-century American literature.

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Sabtu, 26 Maret 2016

? PDF Download Wild Adventure, by Howard Hill

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Wild Adventure, by Howard Hill

This collection of wild and woolly adventure stories from real life was first published by Stackpole Books in 1954. From roping bear and cougar in Arizona to hunting wild boar with a longbow on Santa Catalina Island in California and alligator wrestling in the Everglades, Howard Hill was the prototypical "extreme" guy. Includes outstanding photography from Hill's adventures of such animals as grizzly bear, elk, mountain sheep and moose. First published by Stackpole Books in 1954. Foreword by Errol Flynn. New preface by Jerry Hill, the author's nephew.

  • Sales Rank: #1358944 in eBooks
  • Published on: 2000-05-02
  • Released on: 2012-08-01
  • Format: Kindle eBook

Review
When this book first appeared in 1954, Howard Hill, the fabled archer, was at the top of his game. This collection of stories documents Hill's versatility with the bow and his eye for rousing showmanship: mountain lions in Arizona; blue marlin (yes, with a bow) off Baja; lions, pythons, crocs-a veritable Noah's Ark, in fact- in Africa. Hill was an adept storyteller and a swashbuckling personality, bigger than life. Wild Adventureis a tribute to his skill and to his style. (Lionel Atwill Field & Stream)

If you're in to outdorr adventure, this book is cool. (Star-Gazette)

OK, it's not high tech, but if you're into outdoor adventure, this book is cool. First published in 1954. "Wild Adventure" was written by Howard Hill, the protypical "extreme" guy. (Star-Gazette)

About the Author
Howard Hill devoted his life to the promotion of archery until his death in 1975. He is considered by many to be the greatest archer/hunter of all time. His bow work is featured in several movies, including Robin Hood, Dodge City, and They Died With Their Boots On. The list of awards he won is impressive, including 196 Field Archery tournaments in a row. He took well over 2,000 animals with his bow and arrow. He was the first white man to kill an elephant with a bow and arrow, and the only man to do it without the use of a poisoned arrow.

Most helpful customer reviews

0 of 0 people found the following review helpful.
I'm a big fan of the late Howard Hill and ...
By William J. Bourgeois
I'm a big fan of the late Howard Hill and his archery bowhunting exploits, but this book was more about his adventures with wildlife photography.

6 of 6 people found the following review helpful.
Incredible stories from an archery legend.
By LC in Seattle
This book did not turn out to be what I had expected. It is filled with stories from Howard Hill's life but not specifically about hunting and archery. Most of the book covers Howard's exploits as he attempts to photograph and film wild animals across North America in the 20's and 30's. While reading the book I came to realize that in the days before "extreme sports" there were people who would pursue activities that most rational people would dismiss as very dangerous if not suicidal. This book is full of these stories and an entertaining read.

0 of 0 people found the following review helpful.
Great adventures and writing by Howard Hill
By U.B. Ware
This was a great find and some wonderful history of the travels of Howard Hill. Loved adventures like this and the way it was written by the Mr. Hill.
Nice collection for my small library regarding archery. A great find and fun to go back during those days. Special chapter, I found interesting, even though it's outdated now is the pages dedicated to the photography equipment Mr. Hill used. Many chapters here I stepped back in time and enjoyed. Howard Hill is a legend and a special bowman who made a positive statement with his skills long before the compound bow of today. This should be a must read for anyone interested in archery.

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Jumat, 25 Maret 2016

** Free PDF Viral Siege (Executioner), by Don Pendleton

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Viral Siege (Executioner), by Don Pendleton

MEMORY SWEEP

A call for help from an FBI agent with nowhere else to turn has Mack Bolan racing to Seattle, but he arrives minutes too late: the agent is ambushed before he can be rescued. Hurt during the attack, Bolan can't remember who he is or why he's there. All he knows is that he has something important to do or thousands will die.

Piecing together the fragments of his memory, Bolan realizes that a deadly virus is about to be handed over to a North Korean client. The airborne germ could cause widespread devastation unless he can stop the transaction and take down the group behind the lethal bioweapon. With his mind working against him, the Executioner is about to put up a fight his enemies will never forget…if they survive.

  • Sales Rank: #700689 in eBooks
  • Published on: 2013-09-01
  • Released on: 2013-09-01
  • Format: Kindle eBook

About the Author
Phil Elmore is a freelance journalist, author, and technical writer who lives and works in Western New York State. He has contributed extensively to various trade magazines in the "tactical" gear and self-defense fields. He is also the senior editor of an IP development company based in Florida and the author of multiple commercially published scifi and action novels.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Rushed this book out
By Honey-do-list Master
I have been an ongong fan of Don Pendleton series for years.
With a monthly release per book on this, some can get sloppy.
Typos, even a dropped section of the story that didn't connect, probably to meet their standard page maximum.
Not up to their par on this release.
Story was good as normal, but other stuff slipped.

1 of 1 people found the following review helpful.
My husband loved it
By Mary L
My husband has read all of the Executioner books from the very beginning and loved every single one of them.

0 of 0 people found the following review helpful.
Great reread
By Kindle Customer
It was a pleasure to read of the determination that one can have no matter what is thrown in your way and still get the job done no matter what comes your way

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Kamis, 24 Maret 2016

## Free PDF The Complete Short Stories of Marcel ProustFrom Cooper Square Press

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The Complete Short Stories of Marcel ProustFrom Cooper Square Press

One of the great literary figures of the modern age, French novelist Marcel Proust (1871-1922) probes the precarious mental and erotic nuances of love, the frail mysteries of time passing and time past in highly original, surprising tales. Includes a new translation of the complete text of Pleasures and Days, Proust's only short-story collection, and six tales previously uncollected and never before available in English.

  • Sales Rank: #1029482 in eBooks
  • Published on: 2003-06-18
  • Released on: 2012-09-18
  • Format: Kindle eBook

From Booklist
Proust is developing into one of the most influential writers of the twentieth century. This new collection contains his first literary endeavor, "Pleasures and Days," translated into English for the first time in 50 years, along with six additional stories, never before seen in English. Critiquing Proust's early stories is like appraising Picasso's four-year-old napkin drawings. There are subtle hints of brilliance, but these callow stories pale in comparison to his enigmatic opus, Remembrance of Things Past. Both works share the glitzy backdrop of Parisian high society and tiptoe through the same topics: addressing vanity, investigating the validity of sexual mores, and pondering the impact of sickness on life. Separated by 17 years, these juvenile tales set the thematic and stylistic table for the unique feast of Proust's mature work. Delicately translated by Neugroschel, the prolific three-time PEN Award winner, these early musings are priceless, insightful venturing into the mind of a maturing virtuoso. This book is a must for inclusive fiction collections. Jeff Snowbarger
Copyright © American Library Association. All rights reserved

Language Notes
Text: English (translation)
Original Language: French

About the Author
The author is the winner of three PEN translation awards and the FrenchAmerican translation prize. He has translated over 180 books, including works by such authors as Franz Kafka, Thomas Mann, Paul Celan and Albert Schweizer. He lives in Queens, New York.

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