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God and Mammon and What Was Lost, by François Mauriac
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Fran_ois Mauriac, winner of the 1952 Nobel Prize in literature, is one of the most prominent Catholic novelists of the modern era, yet in the English speaking world he is known primarily for only one novel, 1927's ThZr_se Desqueyroux. In this new translation of two other seminal works by Mauriac, the 1930 novel What Was Lost and its theoretical basis, the 1929 essay God and Mammon, Raymond N. MacKenzie re-introduces Mauriac to the English speaking world. Featuring a scholarly introduction by MacKenzie that provides background on Mauriac's religious and artistic struggles, this new edition will delight scholars of Mauriac as well as contemporary readers previously unfamiliar with his work.
- Sales Rank: #1861977 in eBooks
- Published on: 2003-09-03
- Released on: 2012-08-15
- Format: Kindle eBook
Review
This is a precise and masterful translation. Any translator worth his salt tried to render his text into the target language in such a way that it will strike the reader in that language in much the same way as the original strikes the reader in the source language. It is a daunting task indeed, but Professor MacKenzie has carried it off. (David O'Connell)
About the Author
François Mauriac was one of the great Catholic novelists of the 20th century. Raymond N. MacKenzie is professor of English at the University of St. Thomas.
Most helpful customer reviews
3 of 4 people found the following review helpful.
Faith Influencing Art! He Never Heard Of Such A Thing
By propertius
Art for art's sake, well Francois Mauriac struggled most of his life with this question and he found the answer. In this collection of two works, the essay God and Mammon certainly illustrates his struggle with the consequences of his works. He and his readers took very seriously what was being said and secondarily how it was said. If today words can hurt, then how much more books can hurt or influence. He would not shy away from the moniker, "a Catholic writer," although he did much to incorporate the struggles of his time with his work.
What is fascinating is that the second part of this volume is the novella "What Was Lost" is his attempt to incorporate his theory with his work. It reminds one of Truffaut, the director/film theorist who began as a film critic and after being criticized by the French critics at the time started making films that would revolutionize cinema (what can one expect from the race that gave us Descartes).
To read this book will take you into the world of modern fiction and writers such as Graham Greene or Flannery Oconnor and what they tried to do. Many writers today are disingenuous in attempting to disassociate their works from their beliefs. I think that Mauriac would feel more comfortable with a writer such as Gore Vidal who you may disagree with what he said but still enjoy the way he said it. It is a pity that Francois Mauriac is so little known today because he does make the serious writer or artist think about "why" he is creating rather than "what."
Great ideas never become dated.
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