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Fado And Other Stories (Pitt Drue Heinz Lit Prize), by Katherine Vaz
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This collection is filled with narrative and character grounded in the meaning and value the earth gives to human existence. In one story, a woman sleeps with the village priest, trying to gain back the land the church took from her family; in another, relatives in the Azores fight over a plot of land owned by their expatriate American cousin. Even apparently small images are cast in terms of the earth: Milton, one narrator explains, has made apples the object of a misunderstanding by naming them as Eden’s fruit: “In the Bible, no fruit is named in the Garden of Eden - and to this day apples are misunderstood. They were trying to tempt people not into sin but into listening to the earth more closely. . . . their white meal runs wet with the knowledge of the language of the land, but people do not listen.”
Vaz’s beautiful, intensely conscious language often delicately slips her stories into the realm of the fado, the Portuguese song about fate and longing. “Listen for the nightingale that presses its breast against the thorns of the rose,” on character sings, “that the song might be more beautiful.” Such a verse might describe Vaz’s own motive behind her willingness to confront her subject’s ambiguities and her characters’ conflicts - the simultaneous joy and sorrow of some of life’s discoveries, the pain sometimes hidden within passion and pleasure.
- Sales Rank: #1113156 in eBooks
- Published on: 1997-10-15
- Released on: 1997-10-15
- Format: Kindle eBook
From Library Journal
Vaz, the winner of this year's Drue Heinz Literature Prize, believes that "stories keep us alive." Perhaps that is what gives the 12 tales in this work such urgency. Old world meets new as the book explores Portuguese American identity in places as disparate as Hawaii, California, and the Azores. "In My Hunt for King Sebastiao," Dean travels from America to Portugal to settle some family business. Along the way, he uncovers a number of long-hidden secrets. While despair is tempting, Dean refuses to give in to anger or depression. "Hope," he discovers, "is the most supreme form of defiance." Similarly, in "Undressing the Vanity Dolls," Reginald learns to let go of resentment so he can enjoy the company of a former mentor. Life's lessons are woven into many of these stories, but Vaz's touch is always light, suffused with reverence for whimsy and weird, serendipitous occurrences. Encounters with magic?sights, sensations, and sounds that cannot be rationally explained?give the book an unusual spark. Throughout, things of the spirit collide with material reality and tantalize those in their orbit, with satisfying results.?Eleanor J. Bader, New Sch. for Social Research, New York
Copyright 1997 Reed Business Information, Inc.
From Kirkus Reviews
Inspired by the lyric fantastic, a first fiction collection from novelist Vaz (Saudade, 1994), this year's winner of the Drue Heinz Literature Prize. Vaz's tales rely often on the yeast of her songlike love for language, which can transform her prose, influenced by magic realism, into poetry. ``Sex happens,'' she writes in the title piece, ``the way a pearl is formed. It begins with a grain or parasitic worm that itches in the soft lining until the entire animal buckles around it.'' In ``Island Fever,'' Vaz displays her strong visual sense and her wit: ``The mouths in the crowd, including his wife's, were chattering like bivalve castanets.'' These 12 linked stories about Portuguese ‚migr‚s from the Azores also rely on the force of improbable events to propel them forward. In ``The Remains of Princess Kaiulani's Garden,'' a laundress with extraordinary powers at the ironing board positively affects the lives of her customers: ``One old lady put on a skirt ironed by Elena and could do cartwheels. . . . A priest who had sent in his collars to be starched preached the best sermon of his life.'' Vaz can induce in a reader a fine and effusive rapture when her characters, inflamed, are carried skyward by their emotions. ``Math Bending Into Angels,'' in this vein, shows how love and an incurable spiritual hunger lead a woman to turn into an otherworldly sprite. In other tales dealing with more worldly matters, the writer's whimsy sometimes fails to persuade: an ease in Vaz's luscious lyricism can, in an earthly context, appear too pretty; with her head turned by metaphor, the author comes across as unable to take reality seriously. At such times, she lacks conviction in the primal logic of an unreasonable fate that guides the major magic realists. She's also more sentimental than they, and her language can seem contrived, lacking a fundamental emotional connection with the lives she describes. Still, when the theme of a story is in balance with its style, the result is elating. -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.
Review
“Each story in Fado and Other Stories becomes a fado, the literary equivalent of a Portuguese song “of fate,” an evocation of “a kind of possession by love and sadness.” Fierce desire—be it for revenge, love or quietude—impels Vaz’s characters, all of whom share Portuguese ancestry . . . Fado and Other Stories is a celebration of the drama of individual lives. With inventive lyricism, it explores the notion of a “grand event allotted to each person—only one, with every other major event a consequence of that.”
—New York Times Book Review
“Vaz creates life with words that can be as fierce as a whip while remaining sensitive to her characters’ yearnings, which beat like Portuguese fados: songs of fate and longing. Vaz’s ability to marry reality to the imaginative world of her characters . . . allows her to weave together the mysteries of love, family, nature, religion and loss. . . . Vaz fearlessly writes about the vacuums in her characters’ lives. She balances this with fantastical situations that question reality and are disturbingly funny.”
—Washington Post“Fado and other Stories, in the end, rewards all leanings. It is like a heart-rending blues album by a splendid artist: The listener may not applaud every cut, but that doesn’t spoil the glory of the voice.”
—Boston Globe
“Vaz can induce in a reader a fine and effusive rapture when her characters, inflamed, are carried skyward by their emotions.”
—Kirkus Reviews
“Life’s lessons are woven into many of these stories, but Vaz’s touch is always lights, suffused with reverence for whimsy and weird, serendipitous occurrences. Encounters with magic—sights, sensations, and sounds that cannot be explained give the book an unusual spark. Throughout, things of spirit collide with material reality and tantalize those in their orbit, with satisfying results.”
—Library Journal
Most helpful customer reviews
5 of 5 people found the following review helpful.
Excellent stories couldnt put it down!
By A Customer
This book really puts Katherine Vaz at a new level.Her other books were great also but Fado really gripped me and made me think about life. Would be of benefit to all
3 of 3 people found the following review helpful.
fados..dode doo...
By Ting
wow, Vaz never ceases to amaze me. her writing is so powerful, these stories made me laugh and cry and and dance in the rain and talk to purple and plant orchids and and my god, it is endless! Vaz has the amazing ability to express her thoughts in the fewest words possible, making the stories all the more breathtaking. these stories capture life and humanity in its rawest, most honest form. love, truth, passion, longing, joy, sacrafice, these stories are the embodiment of every hidden aspect of YOU that you'll never know exisited until you read these words of an angel...
0 of 0 people found the following review helpful.
Why not harper's or The New Yorker?
By D.
I don't usually write book reviews, but after reading Our Lady of the Artichokes and other Stories, I followed with this. I took my sweet time, savoring the stories and asking myself why the hell were't these stories appearing in Harper's or the New Yorker, or Atlantic? They deserve a much wider audience. And there is no one who writes for those or any other magazines whose works bests Vaz's. If only for "My Hunt for King Sebastiao," "Fado," "The Remains of Princess Kaiulani's Garden," & "How to Grow Orchids Without Grounds: A Manual," alone this collection would be amazing. But here is offered so much more: "Original Sin," "The Journey of the Eyeball," "Add Blue to Make White Whiter," etc. These stories are a rich blend of culture and history, exquisitely written, with love and humor, a touch of sadness, and a good dose of magic. As I said, more people should be reading these stories, which are among the very best that are currently being written and published. If Raymond Chandler's words held true for the book he criticized, saying "it has everything in it that makes literature -- except verve, wit, gusto, music, and magic..." Katherine Vaz's stories thankfully do have all that!
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