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Lavishly illustrated and cinematic in scope, Go Where You Wanna Go is told from the points of view of not only the group members, but also from those of their friends, musical collegues, business associates, critics, and fans.
- Sales Rank: #830984 in eBooks
- Published on: 2002-04-30
- Released on: 2012-07-30
- Format: Kindle eBook
From Library Journal
Projecting a sunny, carefree image with folk-pop hits such as "California Dreamin' " and "Monday, Monday," the Mamas & the Papas pioneered the kind of complex internal dysfunction later popularized by Fleetwood Mac. Greenwald, a rock journalist and longtime fan, collects quotes from new and existing interviews with M&P friends and associates to tell the group's soap-opera story. The band itself is represented by new interviews with surviving band members Michelle Phillips and Denny Doherty, a previously unpublished interview with the late Cass Elliot, and previously published quotes from the group's recently deceased leader, John Phillips. The oral biography approach has pitfalls, as many of the quotes seem muddled without an author's narrative to provide background and context. Once the account reaches the group's breakup in 1968, important later events are given short shrift. For instance, it is unclear from the text exactly when Elliot died; only a caption from a funeral photo tells readers it was 1974. Later, an early Eighties reunion fronted by Doherty and John Phillips is ignored completely. Also annoying are a significant number of typographical errors in the proofs. Still, the lurid details of sudden fame, drug consumption, and an affair between Michelle and Doherty (leading to Michelle's firing and rehiring and Mama Cass's jealous wrath) make for fascinating reading. Recommended where there is demand for Sixties rock music titles, especially since the dueling autobiographies of John (Papa John) and Michelle Phillips (California Dreamin') are out of print. Lloyd Jansen, Stockton-San Joaquin Cty. P.L., CA
Copyright 2002 Reed Business Information, Inc.
Review
The Mamas and the Papas' perfect pop harmonies and wistful hippie image captured my imagination as a kid, though little did I understand then that offstage, they were rockin' harder than any other group out there! Today, their dichotomous history remains fascinating—it's no wonder Matthew Greenwald chose to examine it up close. (Sullivan, Denise )
With the Mamas and Papas, it was always the voices. Author Matthew Greenwald has captured the voices together one last, sweet time, telling their own story in their own voices in what is without question the definitive account of this American rock fable. (Joel Selvin San Francisco Chronicle, Pop Music Critic and Author of Summer of Love )
Much more than merely a history of The Mamas and the Papas, Greenwald's book is a snapshot of a magical time in our cultural history. The interconnections it delineates are absolutely fascinating. (Michael Fremer )
Greenwald's research is impressive and his editing skills sharp, as the story unfolds with ease and great interest. (Mojo )
Greenwald interviews members of the group (Michelle Phillips, Doherty) as well as such band contemporaries as producer Lou Adler, Roger McGuinn, David Crosby, and P. F. Sloan. You won't find a more gripping rock history-cum-moral tale: the group's spellbinding story turns Shakespearean as the California dream unravels. (High Times )
As an object lesson in how all that glitters isn't gold, Go Where You Wanna Go is a you-shoulda-been-there snapshot of a loss of innocence—and a farewell to the last golden era. (Record Collector, (Uk) )
As an object lesson in how all that glitters isn't gold, Go Where You Wanna Go is a you-shoulda-been-there snapshot of a loss of innocence—and a farewell to the last golden era. (Record Collector, (Uk) )
All in all Greenwald's book is a good warts'n'all read.... (Folkwax )
About the Author
Matthew Greenwald is a rock journalist whose work has appeared in Rolling Stone, MOJO, Sing Out!, and Crawdaddy! He lives in Los Angeles, California. Andrew Loog Oldham was the manager of the Rolling Stones from 1963-67 and is the author of Stoned.
Matthew Greenwald is a rock journalist whose work has appeared in Rolling Stone, MOJO, Sing Out!, and Crawdaddy! He lives in Los Angeles, California. Andrew Loog Oldham was the manager of the Rolling Stones from 1963-67 and is the author of Stoned.
Most helpful customer reviews
20 of 21 people found the following review helpful.
Disappointing and sloppy
By M. Ritchie
This book is just barely worth reading if you're a Mamas and Papas fan, but honestly you'll get more of a sense of the people and the times from John Phillips' autobiography, Papa John. The oral history format used here is confusing since there are no connecting bits by the editors to keep a strong chronological flow going. We hear a lot from Michelle and Denny, and not much from John. There are a couple of bits from Cass with no explanation--maybe they contacted her at a seance? It's made clear that Michelle wanted this book to serve as a corrective for some things that John had said over time, and I do like hearing her side of the story. But the book is so badly edited and proofread, it makes you wonder what other mistakes have been made. There are typos galore, filmmaker D. A. Pennebaker's name is misspelled, and whoever transcribed the tapes of the interviews did an especially sloppy job. Among other problems ("ideal" for "idea"), the imaginary word "innamorate" appears once; I can only guess that what was actually said was "enamored of..." Behind-the-scenes people like Bones Howe are given some space, but I would have liked to have read more about the actual music. As a big fan of the musicians, I was really looking forward to this, but it's very disappointing.
8 of 9 people found the following review helpful.
Lame
By A Customer
If I see one more author write about the Sixties and excuse total unconcern for truth and objectivity with "If you can remember it, you weren't there!" ... Whenever this statement appears, you can prepare for gross errors of fact. And that's what you get with this book: A jumble of interviews with no evidence of fact-checking in site. This book isn't unique in this respect, of course. Lots of "rock encyclopedias" get birth dates, causes of death, family relationships, and other easily verified pieces of information wrong on every page. But this author solicited the help of devoted fans, some of whom are highly knowledgeable regarding the Mamas and Papas, and still managed to produce this disappointing and unenlightening muddle. Admittedly, Michelle's recount of her deathbed interview with John is not to be missed. But nearly everything else is either covered elsewhere (John's and Michelle's books, Denny's stage presentation, and Jon Johnson's biography of Cass) or questionable in integrity and intent. Particularly galling is the amount of mud slung at Cass Elliot, who of course can no longer tell her own side of the story, with no evidence of any attempt to contact anyone who might. Conspicuous by their absence are her sister, Leah Kunkel, and her last manager, Alan Carr (who was still alive when the early parts of this book were being researched). All in all, I could have done without this book. I was a teenaged Mamas and Papas fan in the Sixties: I was there, I do remember it, and this ain't it.
5 of 5 people found the following review helpful.
save your clams, pop in and see denny
By Stanley B.
The best oral biographies take their characters to the stage. Shorn of the literary flab and single-voice subjectivity of traditional biographies, they are frank and immediate. The characters leap to their feet, they sing and dance and joke, they fight, spit bile, defend themselves, contradict themselves. At worst, though, these books are lazy money spinners. Tape a few interviews from some willing participants, snip a few out of some old magazines, paste them together into a fairly comprehensible whole. No arduous writing, just scissors and tape.
'Go Where You Wanna Go' - the oral history of the mamas and the papas' begins by stumbling into the latter. From the start typos creep and crawl across the page. Then you get to the continuity, oh the continuity, the weird jumps in chronology. And, oh the repetition! "John is a great songwriter", "as a songwriter, John is great", "it's great, john's songwriting", "songwriting john, he's great!" We know! Why do you think we're reading the damn book! It feels like in order to boost a failing word count every last crumb of interview has been raked together. Consequently it feels like its falling apart in your hands.
It's not all gloom though. It would take a mischievous genius to produce a book on a musical soap opera as fascinating as any in pop and then fail to entertain. When the four characters come together, then sparks fly. It's then it hits a rich vein of anecdotal debauchery, tomfoolery and studio session discussion. The remaining mama and papa Michelle Phillips and Denny Doherty are a delight. Denny, awash with wit and wisdom, tries to wrestle the book out of Greenwald's paws. He should issue spoken word cassettes. Michelle, driven by a desire to set the record straight, is similarly mouthy, and she's lucid and very likeable. John's interview snippets, though, are matter of fact, soulless. And it's unfortunate however that without Cass Elliott and any of her close confidents, arguably the most interesting character stays in the shadows. That the fly leaf claims Cass contributes her point of view, via a rare never before seen extensive interview (sounds suspiciously like the one heard on the gathering of flowers album), reeks of untruth. Her contribution amounts to nothing more than a few snatches of, sometimes inappropriate, dialogue desperately pasted into the text for some credibility. Nevertheless as soon as the four characters come apart the bottom falls out.
So it's flawed, it's ratty, you're paying a princely sum for a pretty meagre text but, well, there's not a lot else available on the subject around at the moment so I suppose I'd recommend this ramshackle tome. Although better still, save your cash, pop in and see Denny, he's a pleasant chap, I'm sure he'd be happy to regale you with tales for a couple of afternoons.
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