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A New York Times bestseller from an author with “a natural gift for storytelling”: A mother and son are reunited years after a shattering betrayal (The New York Times).
She passes through the Paris restaurant, alone, unbent, and unbroken. Lucy Crown has lived with heartbreak for long enough that it no longer shows on her face, and she’s not afraid to dine in solitude. But then she sees him across the bar, full of liquor and life, looking far happier than he did the last time she saw him two decades before: Tony, her son—the one man she loved more than any other, the one she nearly destroyed.
Twenty years earlier, in 1937, Lucy was an unhappily married suburban housewife, and Tony was so frail his parents were forced to hire a companion for him. When the companion caught Lucy’s eye, he awoke in her a feeling of passion she thought had died long ago—leading to an act of indiscretion during a vacation in Vermont that would upend their family, and take half a lifetime to repair.
From the author of such classics as Rich Man, Poor Man and The Young Lions—an O. Henry Award winner who “always writes immensely readable books”—Lucy Crown is an unflinching look at the emotional reality of infidelity, heartbreak, and divorce that remains a testament to the power of forgiveness (The New York Times).
This ebook features an illustrated biography of Irwin Shaw including rare images and never-before-seen documents from the author’s estate.
- Sales Rank: #225177 in eBooks
- Published on: 2013-04-16
- Released on: 2013-04-16
- Format: Kindle eBook
Review
“Lucy Crown is probably the best of Irwin Shaw’s [first] three novels. [It] has the virtue of simplicity, of concentrated focus.” —Lewis Gannett“That Shaw has made the pattern of disintegration of three potentially good people credible is witness to his gift as a storyteller.” —Kirkus Reviews
“[Irwin Shaw] is a smooth professional craftsman with a natural gift for storytelling and an easy skill with dialogue. He always writes immensely readable books and can be counted on not to bore his readers.” —The New York Times
About the Author
Irwin Shaw (1913–1984) was an acclaimed, award-winning author who grew up in New York City and graduated from Brooklyn College in 1934. His first play, Bury the Dead (1936), has become an anti-war classic. He went on to write several more plays, more than a dozen screenplays, two works of nonfiction, dozens of short stories (for which he won two O. Henry awards), and twelve novels, including The Young Lions (1948) and Rich Man, Poor Man (1970). William Goldman, author of Temple of Gold and Marathon Man, says of Shaw: “He is one of the great storytellers and a pleasure to read.” For more about Shaw’s life and work, visit www.irwinshaw.org.
Most helpful customer reviews
16 of 16 people found the following review helpful.
Paging Douglas Sirk
By Bill Slocum
A woman married just long enough to feel unappreciated finds herself in the arms of another man. It's an old story, but Irwin Shaw does some brilliant things with it in his immersive if somewhat melodramatic novel "Lucy Crown."
Reading "Lucy Crown" is like stepping through a time portal to the time of its 1956 publication. Well-known then yet forgotten today, it depicts an era where people dressed for cocktails, where casual get-togethers were called "smokers," where a man could openly fret about his son spending so much time with his mother that he'll wind up "in the ballet." People give big speeches as to what it's all about. This is the sort of novel that Douglas Sirk no doubt would have directed the movie adaptation of had Shaw not been blacklisted at the time.
It's easy to point out how the novel runs afoul of modern sensibilities. Yet despite a major plot point halfway in that seems too fantastically cruel to be real, "Lucy Crown" grabs you and doesn't let go. Drawn in amid the summer splendor of a Vermont cottage to the novel's three central characters, the title character, her husband, and her son, it's easy to get lulled and comfortable by Shaw's low-key descriptive fluidity, his way of putting you inside their skins. Then boom, things change for no apparent reason except boredom and frustration, and choices are made with seemingly irrevocable results. Yes, it's all a bit much to swallow at times, yet however appalling the behavior of these characters, you want to see how they turn out.
I think feminists would have a field day with this book, alternately braining and celebrating Shaw's take on the American woman circa 1956. "Adultery is the upper-middle-class American woman's form of self-expression," as one character puts it, and indeed it seems a common enough thing as Shaw writes about it. Marriage is for fools, he seems to say, yet women who struggle for a more independent course are poised to do others a lot of damage while helping themselves hardly at all.
One of the more interesting elements of the novel is the way it draws on the characters' ennui even as it engages the reader. We watch the boy grow from a sickly innocent into jaded outsider who can scarcely stand to be in the same room with someone expressing honest emotion. Like with all the characters, you want to yell at him to get over himself, but Shaw lays enough groundwork for you to accept his depiction as an honest one.
There are some searing moments in this book, and some clever ones. The latter includes a first chapter that features a beautiful older woman eyeing a younger man at a Paris bar, all fed through the sensibilities of a jaundiced patron we never meet again. It's a sort of short story in itself, with a perfect capper of a conclusion, the type Shaw was famous for even more than his fairly successful novels. Yet this opener isn't a stand-alone gem; it sets the rest of the novel in motion. Reading the first chapter is like eating that first potato chip: Stop there if you dare.
Ultimately the book loses a bit of steam before winding things up with a fairly pat ending. But the ride is a memorable one, and from about page 100 to 250 you won't read many books faster than this. Written before the age of irony, Shaw isn't afraid of the catharsis or the big emotional revelation. This could have made "Lucy Crown" a silly period piece, but instead the courage of its convictions, along with its author's talent and vision, carry it through.
7 of 7 people found the following review helpful.
This is one of the best books I've ever read!
By A Customer
This is one of the best books I have ever read. It is a true story of love and loss. It is hard to believe a man wrote this story. Lucy Crown makes a terrible mistake that alters her entire life. Somehow she finds the strenght to deal with her pain. You can feel Lucy Crown. This is one of the few books I have read many times. Excellent summer reading
2 of 2 people found the following review helpful.
A Fine, Seemingly Largely Forgotten Novel Written By A Master
By Francis C. Donnelly
If you have already read reviews about this book you probably already know the plot. But I don't want to risk spoiling anything. I just finished this novel. Another reviewer described the conclusion as a "pat ending". I actually was quite moved by the ending. There were times I felt the novel was very painful and I needed some reconciliation.
I have come to have a great appreciation of Irwin Shaw. I am reading his novels in order and have read many of his short stories and one play. Thus far in my reading of Irwin Shaw novels, I have found some patterns. There seem to be a plethora of unusually sophisticated males from the North East United States. Sort of an American version of James Bond (Martini... shaken not stirred... Able to quote Shakespeare at the correct moment...) in various civilian occupations. These adult males do not reflect my personal reality. I wished I knew some people this sophisticated.
The women are portrayed as slightly of a lower station and submissive. This may simply be a product of the time period. Also, in this story there is a twenty year old college student who is more sophisticated than any such students that I have met.
If you know NOTHING about this novel, stop here and read the novel... Then, if you are still interested, come back and finish this review.
I suppose in some ways Irwin Shaw intentionally lays false this veneer of apparent sophistication. There is a very unfortunate event that occurs in the story, and a vulnerable child's parents make a series of seemingly unbelievably stupid decisions at the expense of the child. This sets the tone for a good part of the remainder of the novel. As a parent, I resented both of the parents at this point, and thus actually found the novel unbelievable. For me, that was the weak point in the novel. I suppose it was necessary to have the story unfold the way it does.
From there the story heads to its conclusion. The individuals are shown to be flawed, but decent and humane. Personally I needed that to happen to redeem the earlier painful missteps.
For whatever reason I have become fascinated with post World War II popular American novelists. I suppose it has something to do with the beginning of the transformation of an earlier America into the modern America that we know. I keep trying to figure out which of these authors are my personal favorite. On the female side, I truly love Carson McCullers and Flannery O'Connor. I feel that way about Harper Lee but wished she had written more work. On the male side, I greatly enjoy Saul Bellow, James Michener, Leon Uris, and Kurt Vonnegut. I feel the same way about Ralph Ellison as I do Harper Lee. I have a new and growing appreciation for Truman Capote. But I enjoy Irwin Shaw as much as any of them.
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