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An Unsung Cat: The Life and Music of Warne Marsh (Studies in Jazz), by Safford Chamberlain
PDF Ebook An Unsung Cat: The Life and Music of Warne Marsh (Studies in Jazz), by Safford Chamberlain
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An Unsung Cat explores the life and music of jazz saxophonist, Warne Marsh. Safford Chamberlain follows the artist from his start in youth bands like the Hollywood Canteen Kids and The Teen-Agers through his studies under Lennie Tristano, his brilliant playing of the 1950s, his disappearance from public view in the 1960s, his re-emergence in the 1970s, and his belated recognition in the 1980s as one of the finest tenor players of the post-World War II era. Through interviews with the Marsh family and friends, Chamberlain offers an inside view of Marsh's private life, including his struggles with drug abuse. Detailed analysis of outstanding performances complements the personal story, while an extensively researched discography and photographs reveal the public and private face of this unique performer.
In addition to the book, Scarecrow is pleased to offer a companion compact disc, released by Storyville Records. The tracks on the CD provide a representative sampling of Marsh's best work, while providing a historical overview of his development, from the beginning track, "Apple Honey," which is a private, low-fidelity tape from an NBC radio broadcast in 1945 of the Hoagy Carmichael Show, to the final track, "Sweet and Lovely," captured months before his death in 1987.
- Sales Rank: #2611710 in eBooks
- Published on: 2004-11-09
- Released on: 2012-08-20
- Format: Kindle eBook
Review
Unsung Cat is not only a many-faceted, novelistic biography by a noted jazz journalist and one of Marsh's former sax students, but a heartbreaking mystery that tortures readers with questions as deeply as it satisfies with narrative richness. Who was this jazz cipher, and how did so many of us miss his musical genius?...The publisher has put together a companion CD released by Storyville Records and a book and Cd set for $68.50. That should serve as a good introduction to Marsh's work. (Jazzsteps)
..highly-detailed biography...an interesting story... (Rapport)
...painstakingly researched and gracefully written...A fine volume... (Choice)
...with Chamberlain's discerning comments on the music, the interested reader will easily be able to follow Marsh's musical development...the discography is invaluable for a player like Marsh... (Iajrc Journal)
...remarkable job of cutting through the myth of Warne Marsh and taking a serious, analytical look at his life and his music...Chamberlain's book is one of the finest examples of jazz biography, and worthy of Marsh's legacy in every way. (Allmusic.Com)
Safford Chamberlain...has just given a big boost to Marsh's stock. An Unsung Cat: The Life and Music of Warne Marsh ... is a thorough and objective study of a man Chamberlain calls 'a flawed genius.' Chamberlain's book is important in many respects. Aside from its value as a biography, he provides an informative discography of Marsh's recorded work. An accompanying section of transcribed Marsh solos will prove invaluable to musicians. In addition, Chamberlain has compiled a companion CD of important Marsh recordings. (Pasadena Weekly)
Warne Marsh left a legacy of fine recordings which are thoroughly analyzed by Chamberlain in his compelling and insightful journey into one jazz musician's existence. Safford Chamberlain has compiled a brilliant biography of a very complicated man...This is savvy writing from a man who is in tune with jazz by virtue of being a musician, scholar and a relentless searcher for truth and accuracy. This is the best and most legitimate bio that I have read in years.... (Jazzreview.Com)
Chamberlain studies jazz saxophone for awhile with Marsh (1927-87), but eventually gave it up in favor of his day job teaching literature and writing about jazz. Still the experience inspired him to produce a biography of his teacher. Aside from some exuberant fans, he says, Marsh was considered a very good second-level tenor saxophonist during his career, but attributes his lack of recognition primarily to an outsider temperament that led him to mismanage his own affairs and contribute to his own obscurity. (Reference & Research Book News)
...a detailed picture of this fascinating musician. (European Free Improvisation Bibliography)
About the Author
Safford Chamberlain is a former community college English teacher who studied jazz saxophone with Warne Marsh, among others. He has written on jazz for Downbeat, L.A. Jazz Scene, Los Angeles Free Press, Los Angeles Reader, and The Realist.
Most helpful customer reviews
17 of 17 people found the following review helpful.
A Scholarly Appraisal of an Underrated Jazz Genius
By John Burton
Safford Chamberlin's love for his subject matter, the jazz solos of the late tenor saxophonist Warne Marsh, comes out on every page of this unusually well researched and well written biography.
Marsh was a child prodigy who fell under the spell of the eccentric jazz recluse Lennie Tristano, the founder and guru of a school of highly disciplined post-bebop jazz in New York City during the late 1940's. Marsh ping-ponged between Tristano and the West Coast, mostly in relative obscurity, until he died on stage at Donte's in North Hollywood in December 1987.
Chamberlin skillfully weaves the facts of Marsh's life with details about his milieu and descriptions of his recordings. The chapters describing Marsh's early recordings with fellow Tristanoite Lee Konitz are particularly interesting. Chamberlin delicately deals with the difficult subjects of drugs, commercialism and racism in jazz music.
I have read many jazz biographies, some lurid, some sloppy and inaccurate. This one, however, treats the subject matter with the seriousness and attention to detail this wonderful music we call "jazz" deserves.
3 of 3 people found the following review helpful.
Opened my eyes
By Jürgen Güd
I have been reading about and listening to the Tristano guys for almost a year now, but was always partial to Lee Konitz. I've done some study of his playing and listened to a lot, from Tristano to present day. I am a great fan of his playing, through all the evolutions of his style.
Unfortunately, it caused me to overlook Warne Marsh on those recordings. I've read Konitz's bio and Tristano's, and picked this up to complete the set. The biography is compelling, and so very well written. I've read some horrible biographies recently, but this one just grabbed me, both with Marsh's story and the way Safford Chamberlain writes about it. Plenty of detail, without going overboard (I'm looking at YOU, Tad Szulc. Chopin admirers, don't waste your time on "Chopin in Paris"...).
Perhaps my favorite aspect of the book are the transcriptions. Chamberlain has included transcriptions of Warne Marsh solos, generally chronological through his career, and they are spaced out in the book several chapters at a time. If you can find the recordings, it's really great to watch his solos unfold. Even after reading along with the first one, my ears were opened in a new way to Warne Marsh's playing, and he has quickly become a favorite. The analysises (anylysi? Analyses? Whatever, plural, there is one with each transcription) included are also good, they point out some important things that might be overlooked.
All the information about Warne Marsh and his music is so wonderful, and compiled MASTERFULLY. The perfect amount of info, spaced and presented perfectly, and the inserted transcriptions really seal the deal.
I have since gone back to listen to the older solos, and also check out the evolution of his playing (the Red Mitchell records...my god!), and "An Unsung Cat" is so very true. Him and Konitz, from Tristano through their individual growth away from that style (while never abandoning what they gained through it), are, generally, the only two horn players I can get excited about any more (aside from the undeniable legends). They've effectively ruined most jazz for me...a mixed blessing, but my appreciation for a well constructed solo is so much deeper than a year ago, in no small part thanks to this book.
HIGHLY RECOMMENDED FOR ALL JAZZ FANS.
6 of 6 people found the following review helpful.
A terrific book about a wonderful musician.
By eddie richey
My biggest complaint about Ken Burns' "Jazz" was how many great musicians were ignored. People like Herbie Nichols, Serge Chaloff, Jimmy Raney, the list is almost endless. Safford Chamberlain's book about one of the most sorely underappreciated improvisers ever is superb. It puts in human terms the struggles that almost all jazz musicians faced from the late 1940's on in trying to document a music that was falling further and further from the public view. Lee Konitz has stated "I don't know of any other musician that realy surprised me as much as Warne did with his inventiveness." Mr. Chamberlain is an excellent writer, and I hope this book helps to turn more jazz fans onto to Warne.
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