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The PowerBook (Vintage International), by Jeanette Winterson
Ebook Download The PowerBook (Vintage International), by Jeanette Winterson
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Winterson enfolds her seventh novel within the world of computers, and transforms the signal development of our time into a wholly human medium. The story is simple: an e-mail writer called Ali will compose anything you like, on order, provided you're prepared to enter the story as yourself and risk leaving it as someone else. You can be the hero of your own life. You can have freedom just for one night. But there is a price, and Ali discovers that she, too, will have to pay it.
The PowerBook reinvents itself as it travels from London to Paris, Capri, and Cyberspace, using fairy tales, contemporary myths, and popular culture to weave a story of failed but requited love.
- Sales Rank: #429158 in eBooks
- Published on: 2013-04-17
- Released on: 2013-04-17
- Format: Kindle eBook
Amazon.com Review
While many other novels are still nursing hangovers from the 20th century, The PowerBook has risen early to greet the challenge of the new millennium. Set in cyberspace, Jeanette Winterson's seventh novel (or eighth, if you count her disowned Boating for Beginners) travels with ease, casting the net of its love story over Paris, Capri, and London. Its interactive narrator, Ali, is a "language costumier" who will swathe your imagination in the clothes of transformation: all you have to do is decide whom you want to be. Ali--known also as Alix--is a virtual narrator in a networked world of e-writing. You are the reader, invited to inhabit the story--any story--you wish to be told. As in all the best video games, you can choose your location, your character, even the clothes you want to wear. Beware: you can enter and play, but you cannot determine the outcome.
Ali/x is a digital Orlando for the modern age, moving across time and through transmutations of identity, weaving her stories with "long lines of laptop DNA" and shaping herself to the reader's desire. She wants to make love as simple as a song, but even in cyberspace there is no love without pain. Ali/x offers a stranger on the other side of the screen the opportunity of freedom for one night. She falls in love with her beautiful stranger, and finds herself reinvented by her own story.
The PowerBook is rich with historical allegory and literary allusion. Winterson's dialogue crackles with humor, snappy dialogue, and good jokes, several of which are at her own expense. This is a world of disguise, boundary crossing, and emotional diversions that change the navigation of the plot of life. Strangely sprouting tulips are erected in place of the phallus. Husbands and wives are uncoupled. Lovers disappear in the night to escape from themselves. On the hard drive of The PowerBook are stored a variety of stories that the reader can download and open at will, complete stories that loop through the central narrative. The tale of Mallory's third expedition, the disinterring of the Roman Governor of London in Spitalfields Church, or the contemplation of "great and ruinous lovers" are capsules of narrative compression. In Winterson's compacted meaning, language becomes a character in its own right--it is one of the heroes of the novel.
"What I am seeking to do in my work is to make a form that answers to 21st-century needs," Winterson has written. The PowerBook does just that. Her prose has found a metaphor for its linguistic forms of creation that feels almost invented for her, "a web of coordinates that will change the world." There will be a virtual rush of Internet-themed books in the networked naughties. With The PowerBook Winterson has triumphantly gotten there first. --Rachel Holmes
From Publishers Weekly
Composed in tight, spare prose echoing Web communications, Winterson's seventh novel takes its cues from the Internet, where reality is implied but never inherent. Like the protagonist of her previous novel, Written on the Body, narrator Ali is not defined by sex. An Internet writer, she/he creates stories for people, offering "Freedom, just for one night," allowing her e-mail clients to be whoever they want to be. In return, they are required to understand that, like customers at Verde, the famous old costume shop in London where Ali lives, they may enter as themselves and leave as someone else. Such is the transformation Ali undergoes after a brief liaison in Paris with a married woman. Falling desperately in love, Ali follows the unnamed woman to Capri and attempts to convince her to leave her husband. Entwining this love story with accounts of Turkish tulip bulbs disguised as testicles, and tales of Lancelot and Guinevere, Winterson treads a slippery slope between linear storytelling and multidimensional cyberfiction. Most conventional, but also most egregious, is a digression recounting Ali's childhood as the adopted daughter of scrap-yard owners who are terrified of straying out into the Wilderness (the real world), but still hope that one day their daughter will find the Promised Land that exists in the heart. Winterson's dashing, sensually stylish writing is marred by heavy-handed symbolism, but the concept of transformation is adeptly juggled throughout. The brightly colored jacket, featuring two suggestively limp tulips, plays directly to the sensibility of Winterson's many fans. (Nov. 3)
Copyright 2000 Reed Business Information, Inc.
From Library Journal
Winterson (The Passion; Art & Lies) here employs the vast protean realm of cyberspace, once again weaving a metaphorical flight of words and images, of love and longing. The plot that lines this slim but profoundly textured novel involves Ali, an e-mail writer who will compose anything you likeDin the case that launches this tale, an aborted love story of tulipsDwhereas you may be any figure in your invented life. But, be warned, how you enter will not be how you leave, and Ali learns that not even the writer is immune to this caveat. Winterson captivates and engages, submerging the reader in her sure and golden prose and interspersing classical and contemporary myths and fairytales between love and loss in Paris and CapriDexperiences that become flesh while the Internet is just an instrument analogous to pen and paper. Stirring and passionate, this volume is nevertheless light in bulk, belying the sensual body of the text and the intense power of its flow. The unconventional, though wholly Winterson, narration addresses the reader and proclaims the certainty of tides; it dares, "You can change the story. You are the story . Open it. Read it. This is the true history of the world."DAnn Kim, "Library Journal"
Copyright 2000 Reed Business Information, Inc.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Winterson writing Winterson
By Ngma
Classic Jeanette Winterson from the turn of the millennium. Like Gut Symmetries and Art and Lies, The PowerBook is a cerebral fractured fairy tell. The love story is told through philosophical prose. Wintering uses the the Canon to her own ends. And I can't help but lose myself in her pitch perfect arrogant voice. She has the chops and uses them to reshape the reader's own reality.
1 of 2 people found the following review helpful.
Winterson at her best
By A Customer
No one can take a metaphor and run with it like Winterson. Flawless, lyrical prose, carried off with the virtuosity of a now fully mature talent. Made me wish I were younger and more romantic, to be wholly swept away by the novel's love-smitten heroine. But then no one in Winterson's generation seems wiser in her observations on love, death, life, and work. A book so well written as to be almost effortless reading. The previous reviewer states the case in more detail, and quite well.
1 of 1 people found the following review helpful.
I never had erotic thoughts about tulips before this book...
By Ellen Morris
Ms. Winterson does it again.
A novel for the information age, just when we all thought computers would spell the death of literature! This is a book to read..no savor...several times. I loved it.
Oh...and I look at tulips in a whole new way...
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