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Departures (Pitt Drue Heinz Lit Prize), by Jennifer Cornell
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The stories in this extraordinary collection are set in Northern Ireland, specifically Belfast, the center for more than thirty years of fighting between Roman Catholic nationalists and Protestants loyal to the British crown. Cornell is not preoccupied, however, with the details of the war. Her stories explore the emotional and psychological consequences of the struggle to endure not only violence, but loss, failure, and the inability to believe.
- Sales Rank: #3014027 in eBooks
- Published on: 1995-01-15
- Released on: 1995-01-15
- Format: Kindle eBook
From Publishers Weekly
Cornell's succinct stories take us into the heart of tormented and conflicting communities in contemporary Northern Ireland. However, rather than reproduce in all their helter-skelter brutality the details of sectarian hatred, she refracts it through vignettes of ordinary life alleviated, and sometimes transformed, by lyrical and compassionate revelations. At its best, this tack works well. The narrator of "Heat" recalls how she and her father used to trap and nurture animals taken from a wood. One day, while they are away from home, they see a terrorist explosion. When they return, their fledglings are dead, killed not by terrorism but by rabbits deprived of the vegetation they would normally feed on, driven to what is, for them, an unnatural level of violence. With everything pointing symbolically to the bombing, the story's feeling of eerie background menace is chilling in its restraint. "Outtake" describes a young Protestant trying to pick up a Catholic girl in a pub and what happens when he shares a ride home in a cab with some of her co-religionists. Elsewhere, however, Cornell's attempts to obliquely illuminate the psychology of embattled innocents caught up in struggles which are not of their own making are somewhat cruder. The mildly satirical "The Start of the Season," in which two Northern Irish tourists traveling in Italy try to disguise their homeland's self-destruction, falls flat. Like some others in the collection, it is grounded by a too-heavily rendered political dimension that punctures the drama of self-deception. Maps of Belfast.
Copyright 1995 Reed Business Information, Inc.
From Library Journal
This beautifully written collection of stories tells how beleaguered, ordinary folks living in Belfast manage to keep their faith alive and their souls together in the face of very harsh conditions, enduring the loss of loved ones and of basic necessities like jobs, food, and shelter as well as intangible things such as hope, trust, and certainty. Some of the protagonists escape into drinking or indifference, while others-like the father in "The House" and the nephew in the title story-walk away from responsibility. But most of the characters keep moving forward through a mixture of stubbornness, habit, and quiet courage. A few even find ways to break out of loneliness and self-isolation, as does Eddie in the moving "Hydrophobic." In many ways this book, winner of the Drue Heinz Literature Prize, transcends its place, ethnic group, and political conflict. If they hadn't been identified, the people here could be anyone's neighbors. A book full of tenderness and compassion; highly recommended.
Lisa Nussbaum, Euclid P.L., Ohio
Copyright 1995 Reed Business Information, Inc.
From Booklist
Departures, a collection of short stories set primarily in Belfast, won the 1994 Drue Heinz Literature Prize with good reason. The stories offer naturally maturing plots and characters as well as emotional and psychological responses to a life laden with war-zone ethics, unemployment, poverty, and the challenge of daily survival. Cornell never addresses the obvious details of Northern Ireland's war. Rather, she confronts the effects of those details (random bombings, persistent religious division, and incessant economic and emotional depression) on the lives of families, couples, and children. The strongest piece in the collection is "The House" because the description of the deteriorating house structure, a community center, becomes a pivotal symbol of a family's (and a people's) loss of hope and their acceptance of that loss. Cornell's narrators, usually daughters, speak as awakened children, realistic and without romantic ideals. They seem lost innocents, confused and frustrated by the future they will inherit: alcoholism, unemployment, depression, grief. Yet, beneath the disparity, they desperately hope to discover some truth, some strength that may save them. Janet St. John
Most helpful customer reviews
1 of 1 people found the following review helpful.
Wonderful, thought-provoking stories by a Unique Individual
By Heather Elia
The characters in each of the stories in this book are so real that sometimes it is frightening, but in the very best way. I was completely engrossed (shocked, touched, amazed) by each tale. I discovered Jenny's writing after taking a Creative Writing course under her tutelage at a university in upstate New York. On the last day of class she let us read "Touched." I read it the first time, and thought it was good. I read it again a few months later, understood it much better and thought it was great. I then proceeded to read the rest of the stories and was completely amazed. (I think if I had read these stories *before* I took the class, I would have been too intimidated to let her see my own writing.) This is a terrific group of stories, and I wish I could read some more of her writing.
0 of 0 people found the following review helpful.
Wonderful book
By A Customer
This is a book that reads more like poetry than a novel. It's rich and sensual imagery allows the reader to become a participant observer of the events that are not always readily understood. Once you just allow yourself to become a part of the scenery, and to let the images wash over you, then you begin to be rewarded. This book brought tears of many emotions for me. It is filled with real, honest people, living real, honest lives, and like life it is both humorous and depressing, joyful and oppressed, desperate and free.
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