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Doruntine, by Ismail Kadare
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...a magical parable of love, death and the power of familial bonds. —Stephen Salisbury, New York Times Book Review
- Sales Rank: #1248988 in eBooks
- Published on: 1998-06-05
- Released on: 2012-07-31
- Format: Kindle eBook
Review
A magical parable of love, death, and the power of familial bonds. (Stephan Salisbury The New York Times)
A master storyteller. He has a knack like Isak Dinesen's for creating a long-ago atmosphere for a story essentially timeless. (Chicago Tribune)
Fiction laced with a sophisticated literary self-awareness. (Christian Science Monitor)
The great modern Albanian writer, Ismail Kadare, has given us a masterpiece, Doruntine, at once romantic and contemporary in spirit. Here is a spell-binding new literary mode, with its suspense, its alertness, its suggestiveness, its intensely local flavor—an age-old legend transformed into a splendid fable. (Alain Bosquet Lettres Etrangeres)
A major international novelist. (Herbert Mitgang The New York Times)
Kadare's is a voice unlike any other in contemporary fiction. The Nobel can't come a moment too soon. (Kirkus Reviews)
One of the most compelling novelists now writing in any language. (The Wall Street Journal)
One of contemporary fiction's greatest prose lyricists. (Philadelphia Inquirer)
Ismail Kadare is a writer who maps a whole culture—its history, its passion, its folklore, its politics, its disasters. He is a universal writer in a tradition of storytelling that goes back to Homer. (Professor John Carey, Committee Chair, Man Booker International Prize 2005)
Ismail Kadare's fiction has been compared with that of Gabriel Garcia Marquez. Certainly he induces that same ironic double-take in his readers, by means of the child's magical view of life that is larger than most adults realize. (Leonie Caldecott The New York Times)
Writing like this is hard to stop quoting, it is musical not only in rhythms, but in its most elemental perceptions. (Nation)
Albania's most valuable export: the novels of Ismail Kadare. (Ken Kalfus Village Voice Literary Supplement)
Albania's Kadare is probably the premier writer of fiction to have emerged from the Balkan countries since Bosnian Nobel-winning novelist Ivo Andric. (Kirkus Reviews)
A great writer. (Booklist)
Kadare's prose glimmers with the magic realism of Gabriel Garcia Marquez. (Los Angeles Times)
Language Notes
Text: English (translation)
Original Language: French
About the Author
Ismail Kadare, born in 1936 in the Albanian mountain town of Gjirokaster near the Greek border, is Albania’s best-known poet and novelist. He has lived in France since 1990, following his decision to seek asylum. From 1986, under the Communist regime, Mr. Kadare’s work was smuggled out of Albania by his French publisher, Éditions Fayard, and stored in safe keeping for later publication. Translations of his novels have since been published in more than forty countries. In addition to Doruntine, Ivan R. Dee also publishes his novels Broken April and The General of the Dead Army. Mr. Kadare is the winner of the inaugural Man Booker International Prize 2005.
Most helpful customer reviews
5 of 5 people found the following review helpful.
Kadare with flaws is still among the best
By M. J. Smith
Doruntine is set in the 11th or 12th century and is based upon an Albanian legend. The story of Doruntine is relatively simple - the only daughter of a large family marries a Bohemian man i.e. a two week trip home at best; the brother most attached to her gives his bessa that he will come for her when she needs to travel home; all nine brothers die in a plague infested war; three years later her dead brother comes for her, takes her home; she and her mother die.
Kadare places this legend into the investigative hands of a local official Stres. In his investigation Stres is forced to realize the elusiveness of truth, the "necessary" dishonesty of authority, his own relationship with Doruntine and wife, the forward thinking ideas that made the brother troublesome. Stres ultimately opts for bessa, that elusive honesty and social contract.
Don't start this book if you don't have time to read it straight through; it is riveting. However, it does have two flaws. First, in the context of a dead brother transporting Doruntine the comment that only Jesus Christ has arisen from the dead is used repeatedly; Lazarus appears to be forgotten. Secondly, while careful rereading might clear the confusion, I was left with a feeling of inconsistency between Stres' family life timeline and that of Doruntine's marriage. Perhaps I ought to knock a star off for these problems but Kadare is an exceptional writer - I gave him the benefit of the doubt.
5 of 6 people found the following review helpful.
Myth and reality have no borders
By A Customer
No doubt that this is one of the best books of this author. What is intriguing in this book is that you find yourself somewhere where there are no clear borders between reality and myth. The story is a simple one. Doruntina marrieds from her family far way from home, something her mother did not like. There is the promise of the youngest brother of Doruntina (Kostandin) that he would go and bring Doruntina home, whenever his mother would like to. That makes the mother to give the permission of the mariage. But in a short time all the boys of the family die, and the mother more than ever needs her doughter. And this has to be done from kostandin, no matter he is dead. He has given a promisse and he has to keep it.One day Doruntina showes up at her home pretending that it was her youngest brother that brougth her. Till the end of the book you dont know who brouth Doruntina back home. But you do realize that more than a person there are the fascinating Albanian customs who brougth her back home.
8 of 11 people found the following review helpful.
Are myth, illusion, and dream greater than the State ?
By Bob Newman
Doruntine, who married in far off Bohemia, suddenly appears at her mother's deathbed. She says she was brought by her brother. Only thing is, he's been dead for 3 years. This is a challenge to the Church, all powerful in that era, which seems to be Norman-ruled Albania of the middle age, where Catholic and Orthodox doctrines competed. So far, only Jesus Christ had risen from his grave. A 'policeman' Stres, is assigned to make sense of the incident. While this novel may have resonated in Communist Albania of the 1980s, with its intricate "Dance of the Doctrines" and underlying family and clan rule, I felt that, just as a novel, it left something to be desired. I failed to care what the outcome of the case would be. Some scenes are excellently depicted, but compared to most of Kadare's work, this novel is weak perhaps because it is a one-theme novel. If you are looking for good novels, Kadare is one of the best writers alive today, but this isn't his best by a long shot.
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