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Oranges Are Not the Only Fruit, Jeanette Winterson's delectable first novel, announced the arrival of 'a fresh voice with a mind behind it,' as Muriel Spark has written. 'She is a master of her material, a writer in whom great talent deeply abides'--and her reputation and accomplishment have grown with each of her five subsequent novels.
Now, with her first collection--seventeen stories that span her entire career--Jeanette Winterson reveals all the facets of her extraordinary imagination. Whether transporting us to bizarre new geog-raphies--a world where sleep is illegal, an island of diamonds where the rich wear jewelry made of coal--or revealing so perfectly, so exactly, the joy and pain of owning a brand-new dog, she proves herself a master of the short form.
For her readers, a celebration--and for everyone else, a wonderful introduction to this highly original and consistently daring writer, who has become 'one of our most brilliant, visionary storytellers' (San Francisco Chronicle)
- Sales Rank: #328410 in eBooks
- Published on: 2013-04-17
- Released on: 2013-04-17
- Format: Kindle eBook
Amazon.com Review
Her first short story collection exhibits the multitude of talents that have made English novelist Jeanette Winterson not just admired but beloved by her many fans. There are the surprising, fresh little phrases minted expressly to convey the delicate realities of the made-up world. There's the humor, fierce and sly but always kind. There's the imagination that changes gender and historical epoch at whim, and does so convincingly; and the characters themselves, a sundry bunch of men and women not necessarily successful or commendable but always, somehow, likable. Best of all, by their very diversity, these stories reveal glimpses of the smart and enigmatic woman behind the work.
In "Atlantic Crossing," Winterson becomes a middle-aged businessman of the mid-20th century, accidentally assigned to share his second-class cabin with a young black woman on a transatlantic crossing. In the realm of event, little happens, but in its depth of perception and what it tells of the nuances of regret, the story is as rich as a novel in another writer's hands. A few scant pages later, Winterson becomes a kind of lost female Homer, telling Orion's story from Artemis's point of view: "When she returned she saw this huge rag of a man eating her goat, raw.... His reputation hung about him like bad breath." In "The Poetics of Sex," she creates a lesbian love story that evokes her characters' personalities as explicitly as their erotic pleasures. "The 24-Hour Dog," the story of a woman writer returning a puppy she had thought to adopt, is remorseless as a psychological thriller in the squirmy depths it plumbs: "I had made every preparation, every calculation, except for those two essentials that could not be calculated: his heart and mine." Read The World and Other Places twice, once for instruction, once for joy. --Joyce Thompson
From Publishers Weekly
The detached awareness of Winterson's characters, with their biblically informed psyches and receptivity to the paranormal, make the 17 stories of this collection more proverbial than narrative. When in her acknowledgments Winterson (Gut Symmetries) thanks those who have "bought or bludgeoned" them from her, she's quite right: there's nothing fulsome here. Her spare gestures reduce prose to an eerie elemental state. In "The 24-Hour Dog," the narrator's encounter with a two-month-old puppy purchased from a farmer transports her: "The Sistine Chapel is unpainted, no book has been written. There is the moon, the water, the night, one creature's need and another's response. The moment between chaos and shape and I say his name and he hears me." In other stories, such as "O'Brien's First Christmas," the alien intrudes in the form of a midnight visitation by a tutued fairy on a downcast shopgirl. The feminist allegory "Orion" recasts the myth of Artemis and her predatory paramour; "Disappearance I" imagines a futuristic dystopia in which sleep has become as taboo as red light sex. Though the aftertaste of this unflinchingly provocative and stringently witty collection is somewhat bitter, Winterson's stories reveal another facet of a writer much acclaimed for her virtuosity and complexity.
Copyright 1999 Reed Business Information, Inc.
From Library Journal
This work collects stories written over a 13-year period by Whitbread and E.M. Forster Award winner Winterson. A hallmark of her fiction is the avoidance of gender pronouns, resulting in a gender fluidity that permits a subversive reading of the seemingly conventional love story "O'Brien's First Christmas." "Orion" is a feminist retelling of the origin of the constellation; as expected, a tale of female victimization becomes one of revenge and empowerment. "The Poetics of Sex" is a graphic tale of passion between two women interspersed with condescending questions typically asked of lesbians. Winterson's afterword is instructive; part of the pleasure of reading the title story is imagining the bafflement of the editors of an American Express travel magazine, who, offended by her irony, refused to publish it. The stories are challenging and beautifully crafted, ranging from realistic to fantastical. Recommended for most collections.?Ina Rimpau, Newark P.L., NJ
Copyright 1999 Reed Business Information, Inc.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Five Stars
By GretaCargo
I love Winterston.
5 of 6 people found the following review helpful.
A beautiful way to end the year
By Ellen Morris
Having read the rest of Winterson's in-print books this year, this volume of short stories proved a lovely, fitting end. Some were reflections found in her other works (Sexing the Cherry, Written on the Body), some were completely new to me. Just beautiful.
0 of 1 people found the following review helpful.
Inventive is Sometimes a Good Thing...
By Amazon Customer
...And other times it's just confusing.
I've always loved Jeanette Winterson's writing and her inventiveness, bravery, wit and amazing poetic voice. There were several stories in this collection I had seen in other places and I was happy to see them again. "The Poetics of Sex" was one of those stories that I think many who know her are familiar with. A couple of tamer lines from it read:
"I thought I had lost Picasso. I thought the bright form that shapes my days had left me. I was loose at the edges, liquid with uncertainty. The taut lines of love slackened. I felt myself unravelling backwards, away from her."
Winteson's tales of obsessive love or triangles are, in my opinion, her strongest and tend to resonate with me most both for the beauty of her language and her force in coming to the truth in them. There are not, however, many examples of this in this book and though the first half held my interest through a string of odd and surprising people and events - the last third of book completely lost me and I was forcing myself to get through it just to say I had finished it. There were Newtonian tangents and whole worlds where the rules of physics are broken and I just wasn't able to stay with it.
"The World and Other Places", "The Poetics of Sex" and "The Green Man" were my favorites in this collection. "The Green Man" especially.
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